Moree ( Good) Race 5 1300m PIC TROPHY Finished 4/5 2.46L $0 (of $5,000),ġst He's Our Toy Boy (Rowena Dillon 62.0kg) Winning Time 1:15.54 2nd Master Cramsie (Alexandre Lemarie 67.0kg) 0.34L 3rd Blue Channel (Maddison Wright 64.0kg) 1.87L In running Settled 5th, 800m 5th, 400m 6th Sectionals 600m 40.090sġst Mystic Splendour (Mitchell Bell 59.0kg) Winning Time 1:27.6 2nd Reuben James (Jeff Penza 57.5kg) 0.26L 3rd Flying Pretty (Ashley Morgan 55.0kg) 2.21L 000sġst Dubai Tycoon (Ben Looker 55.0kg) Winning Time 1:21.67 2nd Sea Lady (Rachael Murray 55.0kg) 1.84L 3rd Master Cramsie (Jacob Golden 55.0kg) 2.04L In running Settled 8th, 800m 8th, 400m 8th Sectionals 600m.
In running Settled 5th, 800m 6th, 400m 7th Sectionals 600m 35.620sġst Master Cramsie (Jacob Golden 62.5kg) Winning Time 1:23.77 2nd Zioptimus (Greg Ryan 59.0kg) 0.02L 3rd Mill City (Ben Looker 59.0kg) 1.31L 000sġst Zagaya (Reece Jones 55.5kg) Winning Time 1:38.68 2nd Ben Shoof (Vad Bolozhinskyi 56.0kg) 0.41L 3rd Moree Dreaming (Georgina McDonnell 64.0kg) 1.66L
In running Settled 7th, 1200m 7th, 800m 8th, 400m 9th Sectionals 600m. 000sġst La La Loopsy (Reece Jones 55.0kg) Winning Time 1:19.01 2nd Attalea (Jake Pracey-Holmes 55.0kg) 0.09L 3rd Redemption Road (Kath Bell-Pitomac 58.5kg) 1.27L In running 800m 1st, 400m 4th Sectionals 600m. And Lambchop's playful sense is all over "The Concept," a thundering dance track that's built around samples from an old Buddy Hackett comedy routine it's anyone's guess how Wagner was inspired to fuse Hackett and a pounding bass pulse, but like nearly everything on The Diet, it's a digital landscape where a very human pulsebeat lurks below the surface, and HeCTA's debut is an experiment that works remarkably well on its own terms.Gunnedah ( Soft) Race 4 1300m Bm58 Finished 9/10 9.43L $375 (of $12,000),ġst Aubrey Skies (Daniel Northey 55.0kg) Winning Time 1:18.84 2nd Malzoom (Kath Bell-Pitomac 59.0kg) 0.03L 3rd Stashes (Mikayla Weir 56.0kg) 2.02LĬoonabarabran ( Good) Race 4 1200m BM50 Finished 6/11 3.89L $350 (of $8,000),ġst Rawson Crossing (James Rogers 57.5kg) Winning Time 1:10.05 2nd Creidne (Ronald Simpson 57.5kg) 0.75L 3rd Malzoom (Kath Bell-Pitomac 63.0kg) 1.01L That said, while it's hard to imagine this is Kurt Wagner's work on first listen, after a few spins one can pick out his melodic sense in the slow drift of "Like You're Worth It," the pulsating pop hook of "Sympathy for the Auto Industry," the sweep of the strings on "Give Us Your Names," and the finger snaps skating over horn samples on "We Are Glistening." And when Wagner's murky but very human vocals rise up, it has very much the same grounding effect as they do on Lambchop's recordings, despite the dramatically different surroundings. The Diet isn't a Kurt Wagner album with an electronic influence, it's the debut of an electronic group that just so happens to be led by the guy who fronts Lambchop (and also features two other members of the group, Scott Martin and Ryan Norris).
But as for that list of electronic subgenres, Wagner is certainly taking his followers someplace they may not go of their own volition HeCTA's debut The Diet dives deep into electronic frameworks and textures, with the unrelenting pulse of sequencers pushing the songs forward as shimmering keyboard lines, deeply processed vocals, and distant-sounding instrumental samples dodge in and out of the mix. "Why would it be?" Well, after two decades of making records with his group Lambchop, it's no great shock that some of Wagner's fans would expect something resembling the graceful, willfully eccentric Southern chamber pop that's been his calling card, so the fact HeCTA is clearly not Americana might puzzle a few folks. "It's not Americana, house, techno, trap, juke, or blaze," Kurt Wagner wrote in a press release regarding his new project, HeCTA.
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